Sense and Sensibility
By Kate Hamill and based on the novel by Jane Austen
Performed with permission by the Dramatist Play Service, Inc.
A playful new adaptation of Jane Austen’s beloved novel follows the fortunes (and misfortunes)
of the Dashwood sisters—sensible Elinor and hypersensitive Marianne—after their father’s
sudden death leaves them financially destitute and socially vulnerable.
The performance is at 6:30 p.m. Doors open at 6:00 p.m.
On November 15, Tanner Anderson ’05 saw a long-time dream come to fruition, when his production company’s first feature film, The Turkey Bowl, was released nationwide. It’s the story of a 30-something urbanite pulled back to his rural hometown by his high school buddies on Thanksgiving to finish The Turkey Bowl – an epic football game against their crosstown rivals.
Recently, senior Quinn Jenkins, a bit of a movie buff himself, caught up with Tanner to learn more about his journey from Holy Family student-athlete to Hollywood movie producer and actor.
An Interview with Tanner Anderson
Quinn:Hollywood is a long way from Victoria, MN. What sparked your interest in acting and movie production? And how did you end up in Hollywood?
Tanner: I’ve always had a creative side, but I recall a moment when I felt the spark. It was January 22, 2008, and my roommates were watching the news. Heath Ledger had just passed away, and they were showing the first trailer to The Dark Knight, and I was mesmerized by the idea that I could escape and be someone entirely different from myself like Heath had done with The Joker. That even though he had tragically passed away, this character would live on forever. That night, I called my dad and told him I was going to be an actor. To his credit, without hesitation, he said, “I think that’s a great idea. Finish your commitment to Hamline first.” That gave me a lot of confidence, knowing I had his support, so I started taking acting classes at the Guthrie Theater.
The following summer, I took a six-week film course while studying abroad in Australia. I loved it. For the first time, I wasn’t Tanner, the basketball player; I was Tanner, the actor, and felt totally alive. During my senior year at Hamline, I auditioned for the American Academy of Dramatic Arts in Los Angeles and got accepted. I finished its two-year program and continued for a third year in their highly competitive theater group. I remember one of my acting coaches telling me that I had talent, but wouldn’t work until I was 35 because my size and deep voice, didn’t fit my boyish features.I had to allow myself to age before having a career. She was right. Long story short, I was 27 years old, working five nights a week at a restaurant and taking acting classes on my days off. I couldn’t even get an agent, so I wasn’t auditioning. It’s a fork in the road moment for me. I was going to wake up and be 40 still working at a restaurant, changing careers and moving back to Minnesota, or I was going to figure out a way to make it happen on my own. So, I decided I’d have to produce my way into the industry, do every facet of the business, creating my stuff from start to finish. All so I could act. I read book after book about starting your own production company, made a business plan, found investors, and Make It Take It Productions was born.
Quinn:How did your company get involved with this movie?
Tanner: We found some magic with a short film, Graffiti, we did. I viewed that film as a business card to show people in the industry what we were capable of creating. I wrote, produced, and acted in it alongside Golden Globe and Emmy nominated actor John Heard. A pretty well-known writer/director Greg Coolidge saw the film and was impressed, so he sent me the script for The Turkey Bowl. That’s how it all started.
Quinn:Does any part of this movie resonate with your personal story?
Tanner: The movie is about the love of your hometown and rediscovering what made it special to you as a kid. For me, when I think of home, I think of Holy Family, not Eden Prairie or Hamline. Holy Family was a central force in my life. If it weren’t for Holy Family, there is no way I’d be doing what I’m doing. It laid the foundation for who I am as a man. It taught me how to find my footing in a new place, where I didn’t know anyone. The academics pushed me to put in hard work, and playing for the basketball team showed what it takes to be a leader — just the culture of the place instilled in me the importance of treating others with respect and dignity.
Quinn: Anything you’d like to add?
Tanner: You know, I ended up at Holy Family in only its third year of existence because the big public school system was not a good fit for me. My mom encouraged me to be a part of building something, instead of taking the more comfortable path at an established private school. It was the best decision of my life. I’m very proud of those first graduating classes and what we built for the future students attending Holy Family. The school gave me opportunities to build confidence and tools to succeed, and for that, I’m forever indebted and grateful.
Other media with Tanner Anderson
Theology teacher Doug Bosch interviewed Tanner Anderson in front of a live audience during Convocation for Holy Family’s podcast, Inside 8101. Tanner shared a deep appreciation for Holy Family and his teachers. Listen HEREor click on the video button to watch the episode.
Kare-11 Breaking the News
Current Holy Family basketball coach Matt Thuli was Tanner’s coach from 2001-2005. Kare-11 featured the difference Coach Thuli made, and continues to make, in Tanner’s life. Click on the video below to watch the segment.
Just two years ago, when Holy Family opened its new Performance Center, all eyes were focused on how the space would be used. Yes, the “black-box theater” with seating to stage left and stage right is an intimate space for special school Masses. It’s also a place worthy of student art shows, band and choral concerts and the all-school “Coffee House” talent nights. By all accounts, the Performance Center was off to a busy start.
But the ultimate dream for the new Performance Center was to inspire and invigorate Holy Family’s Theater Arts program, giving students a place to perform, sing, dance, imagine and create.
“We want people to know this school is dedicated to the arts,” says Eric Olson, the school’s new theater director who joined the faculty this year. “To create an amazing theater program at Holy Family, we’re going to set the bar high so that kids from other schools will want to bring their talents here.”
Olson knew for his theater program to get off to a rousing start, it was time to inspire students to reach for the stars and make a bold theatrical statement. Just weeks after school began, Olson hung posters and got the message out in daily school announcements. Auditions were scheduled for Holy Family’s first production of the year—The Wizard of Oz! He chose the classic for a number of reasons.
Generations love this popular musical, and it is a story that draws big crowds.
It was one of the first movies Olson remembers as a child—“It was so magical and creative to escape to the Land of Oz!”
It sets the expectations high and requires lots of student participation to make it all happen.
Olson didn’t have to wait long for the buzz and excitement to kick in.
“Within the first week, students were pounding on my door,” he shares. “So many wonderfully talented kids came out and wanted to be part of it from many aspects—lighting, sound, costuming, singing and acting. As a director, I can’t ask for anything better.”
Fueled By Passion
It takes more than one director with a vision and the passion to make it all happen. Olson’s challenge was to get everyone collectively excited, particularly in a high school with fewer than 500 students.
He relied on his experience, letting the students know he was ready to embark on something big. Something similar to what he did with his own K-12 theater company that produced 34 shows in nine years.
“I had to talk to the students and convince them to give me a shot,” Olson said.
And that they did. From day one, he has received rave reviews from both cast and crew.
“Mr. Olson gives really good instruction on acting and you know exactly what his vision is,” says senior actor Giselle Shannon, who performed in her first show as a freshman and is finishing with the coveted role of the Wicked Witch of the West. “He has a vision for what he wants and conveys it effectively, even during auditions.”
The excitement for this new level of Holy Family theater doesn’t just come from the actors under the lights or those who have seen the program evolve over the years.
Freshman Collin Nawrocki raised his hand to help with sound, something he was familiar with and interested in. It didn’t take long for him to step beyond his comfort zone, taking on full duties as “student director.” He designed the program, posters and tickets; manages the soundboard; learned the nuances of stage lighting; and came up with a dramatic way to project the “great and all-powerful Oz!”
Olson calls Nawrocki “Boss Man” to the cast, empowering him to multitask and keep everyone focused.
“People have no idea of how much work goes on behind the scenes,” Nawrocki says. “There is coordinating food, mics, costume design, special effects, lighting cues. The most difficult part is not knowing what’s going to go wrong.”
However, he doesn’t feel alone. The cast and crew in this year’s musical has become a tight family ready to help at a moment’s notice.
“You just can’t do it all by yourself,” Nawrocki says. “You have to have people around you that are supporting you. If you don’t, things won’t function well.”
Senior Ben Richards, performing the demanding role of the Cowardly Lion, shares similar sentiments, noting that the sacrifice of time extends far beyond the theater.
“You can’t do everything in practice,” he says. “There is a lot that goes on and has to be done at home. People don’t realize that family members help memorize our lines and master scenes. They are a big part of it.”
One thing clearly doesn’t go unnoticed to many of the students involved in the theater arts program. Holy Family provides opportunities they may not get at larger schools.
Richards says, “In a small school, you can do theater, Italian Club, athletics and get it all done. A lot of us are committed to so many things, yet we do well because we manage time and school work well.”
Shannon agrees, knowing that she might not have the same chance to do it all in a larger school.
“Everyone is really understanding of each other because we have so many things we’re involved in,” she says. “Here, the only pressure is to do a good job collectively.
All Hands On Deck
Take a look around the school just weeks before the “curtain lifts” and there are theater activities happening simultaneously in every corner of the school.
The Chorus, a group of students playing support roles in multiple scenes, works on the main stage with student choreographer Lillian Graupman.
Across the school, Holy Family Music Teacher Annelise Brown is fine-tuning a song and dance number in the chorus room with the main cast.
In a storage room adjacent to the theater, art teacher Shelagh Gamble “helps” two students putting finishing touches on the “Munchkin Land” set, one of four multi-paneled scene changes created for the musical. (Dozens of volunteers and students from Art 1 and Painting 2 classes created the massive backdrops.)
During a break, freshman Marie Fahey, cast as Dorothy, practices Over the Rainbow using the new wireless microphones Nawrocki sourced for improved sound.
Back on stage, middle-school students from Guardian Angels Catholic School in Chaska take their place as the loveable Munchkins, practicing their big scene with Dorothy.
None of this, mind you, takes place under Olson’s direction. The students are working independently today, as Olson, who also has a master’s in English and teaches American and Modern Literature, tends to Parent/Teacher Conference duties.
It Takes Unsung Heroes
In the dressing room, senior Costume Designer Natalie Wideman has Gigi (Shannon) try on a pair of black high-tie heels, perfect for the Kansas persona of Miss Almira Gulch, who transforms into the Wicked Witch of the West.
“Do they fit?” Wideman curiously asks, while wheeling a rack of costumes she’s altering. “Can you walk around in them for the whole show? Why don’t you wear them for the rest of practice today just to make sure.”
Wideman shares costume and set styling duties with Graupman. She used to act, but instead has taken a backstage role this year to do what she loves—create awe-inspiring costumes. She learned to sew from her mother while in 4-H, and began designing clothes on her own shortly after.
“I’m taking a 1980s style wedding gown with the big puffy sleeves and making it into Glinda’s dress,” she grins. “It’s going to be fabulous!”
Wideman points out many students helped with this year’s musical, thanks to Olson’s all-school outreach that has made theater arts the talk of Holy Family.
“The whole school is involved. People are volunteering to paint backdrops and bring in props. A lot of people are pitching in with the lifting (of scenes) and helping make this something special.”
And the Show Goes On…
The lights will be glowing bright on opening night—7 p.m. Friday, December 8—when the first of three performances kick off a weekend filled with Oz. With every practice, confidence is growing and the pieces are falling into place.
“Kids in the theater space are full of ideas,” Olson says. “I want collaboration. I want to run the program by listening to students and other teachers, taking in what they want and working together to make it happen.”
No one knows that better than Nawrocki, who spends each day after school immersed in the theater environment.
“I’ve given him (Olson) so many crazy ideas,” he says, “and a few of them have even happened. There are going to be some unexpected surprises (with Oz). We haven’t even figured all of them out yet, but there will be some pretty cool stuff.”
That kind of enthusiasm in the theatre arts experience is exactly what Olson was hoping to bring to Holy Family.
“My biggest goal is to make kids feel welcome and that they have a place to trust in, perform and be expressive,” Olson says. “I want to establish a place where the kids know they can come and have it theirs.”
Getting back to that black-box theater busy with activity, Olson sees it as a challenge that’s even new to him.
“Most theaters I’ve been in are auditoriums with theater-style seating,” he explains. “This is definitely different and it’s uniquely challenging. We have to block things out differently. We’re in a triangle, performing for two sides of the room.
“I think the audience is going to have an intimate experience and see the actors and scenes up close. They’re going to be involved rather than sitting back, feeling like they’re part of every performance.”
Click HERE for the Wizard of Oz performance schedule. We hope you’ll join us for the show!
This May, Holy Family drama department presents a musical for the spring play: James and the Giant Peach. This funny and heartfelt production is adventurous and perfect for an audience of all ages.
The play is based on the popular book by Roald Dahl. James is a young orphan who is taken in by two evil aunts. He acquires a magical potion, causing a peach to become gigantic and insects to become human. James then travels with the insects on his giant peach across the ocean, undergoing many adventures.
The cast has a minimum of 9 people, but the theater director, Ms. Olson, is hoping for as many as 35-40 participants.
Ms. Olson’s goal for this play is to set a high standard for what will hopefully be a tradition of musicals at Holy Family. She hopes that this production will help students gain interest and excitement to participate in future plays.
Ms. Olson chose James and the Peach because the show has a cartoony yet approachable mood. It’s also an appealing production because not many people have seen James and the Giant Peach, so they have no preconceived notions about the characters or the performance.
Auditions will be in the Performance Center on Monday, March 6 and Tuesday, March 7 after school, followed by callbacks, Thursday, March 9.
There are also 4-10 roles available for middle schools students. Auditions for middle school students are on March 20 between 4-6 p.m. Anyone interested in auditioning should contact Anna Olson at email@example.com
Holy Family’s James and the Giant Peach will premiere May 12 and 13.
JAMES AND THE GIANT PEACH is presented through special arrangement with Musical Theatre Internationl (MTI). All authorized performance materials are also supplied by MTI. www.MTIshows.com
On Thursday, January 26, at 7 pm, Holy Family’s one-act play, “You’re Driving Me Crazy,” will be presented in the Holy Family Performance Center. The one-act play performance is the culmination of months of rehearsals and preparations. This one-act play is the first play presented to an audience in the new performance space and boasts one of the largest casts and crews in recent Holy Family history.
“You’re Driving Me Crazy” is a comedy about teenagers who are learning how to drive. It has four scenes, each with its unique storyline and point of view. Some scenes are from the perspective of the teens, parents, and even the driving instructor.
When asked, Ms. Olson, director and head of Holy Family’s theater program, explained her decision to select this play: “I chose the show because I thought both students and adults would relate to it. It moves quickly, which is essential for mini-shows, and it is funny. I think everyone who comes to see it will leave laughing!”
The students who auditioned for the play are embracing the amount of dedication that has to go into the performance and are now beginning to feel the pressure as the date draws nearer.
“I auditioned for the play because it was something different from what I’m used to doing. I’m forcing myself to step out of my comfort zone.” says junior Ronnie Deckard ’18, “I’m very nervous because I play the Grandma. I only have nine lines, most of them are “what,” and I’m probably still going to mess up.”
While several students decided to audition for an acting part in the play, many showed interest in building and painting sets and running sound and lighting as well. Junior Nora Erdman ’18 volunteered to help with painting and gave an idea regarding what it will look like: “Since it is a one-act play, we aren’t planning on creating a huge set; it’s mostly a few boxes that we have to paint. We are also planning on making a makeshift car that the actors will sit in during each scene.”
This play will also be performed as a Holy Family’s submission to the Minnesota State High School League One-Act Competition, too. Ms. Olson was able to elaborate on what the competition entails: “The MSHSL One-Act Competition is an event held in the winter every year. All shows are meticulously timed and must be under thirty-five minutes. If your performance goes even one second over, it is disqualified! There can only be twenty students involved in the traveling production, including both actors and tech crew. Your set must be able to be transported to different locations and must deconstruct to fit within a 10’x10’x10’ cubic space. You have ten minutes to construct your set on the host school’s stage before performing, including any technical elements such as lighting and sound. Schools then perform their show for judges and receive feedback and an overall score.”
Nora Erdman also had this to add: “I think that the theater program is becoming a lot more recognized and will continue to grow. With all of the new equipment and resources, there are multiple opportunities for people, which is great! I think more people will get involved because of all the possible roles, and the fact that it is fun to do.”
Preparations will continue over the coming weeks. The public is invited to attend the January 26 performance. Students in grades 5-8 are invited to join the cast and crew for a post-performance reception and closer look at this play’s set and production. RSVP.
Following the MSHSL competition, the theater department will start preparations for the HF’s spring musical production.
Excerpt of orginal HF Phoenix article by Mallory Lindahl ’17